REDCINE-X Pro (Beta) introduces full compatibility with Nikon’s N-RAW (.nev) format, integrating seamlessly into RED’s IPP2 (Image Processing Pipeline 2). This update allows N-RAW clips to be processed with REDWideGamutRGB and Log3G10 color spaces, giving editors and colorists greater control over dynamic range and color grading.
Expanded ISO Options for Greater Flexibility
This beta release includes expanded ISO settings such as 64, 8000, 10000, 16000, 20000, and 25600. These additions provide Nikon and RED users with enhanced creative flexibility, particularly in challenging lighting conditions. For Nikon users working with N-RAW, this integration streamlines their workflow within RED’s ecosystem, optimizing high-contrast scene handling.
ProRes Encoding for Windows Users
Windows-based editors gain a significant advantage with this update. The beta version of REDCINE-X Pro now supports Apple ProRes encoding, eliminating the need to transfer projects to Mac for final exports. This enhancement improves efficiency for teams using Windows-based editing systems, reducing workflow bottlenecks.
Nikon’s Strategy Behind Acquiring RED
Nikon’s acquisition of RED in late 2024 marked a major shift in the camera industry. Having already pushed into professional video production with the Z9’s internal 8K recording capabilities, Nikon strengthened its position to compete with Canon, Sony, and other major players. RED’s expertise in post-production, IPP2 color science, and the highly regarded R3D codec align perfectly with Nikon’s ambitions in high-end filmmaking.
This acquisition is more than just about cameras. Nikon now has the opportunity to integrate cinema-grade technology across its lineup, enhancing its appeal to professionals. The recent update to REDCINE-X Pro hints at the deeper collaboration between the two companies.
What’s Next?
The addition of N-RAW support in REDCINE-X Pro might be just the start. Nikon mirrorless cameras could soon record R3D internally, offering filmmakers a hybrid solution that integrates seamlessly with RED’s post-production ecosystem. Another potential development is native Nikon lens mounts on future RED cameras. With Nikon’s Z-mount lenses known for their sharpness and versatility, direct compatibility with RED cinema cameras could attract a broader audience.
Future firmware updates might introduce IPP2-inspired color controls to Nikon cameras. A joint effort between Nikon and RED could even lead to hybrid camera technology that bridges the gap between still photography and cinema production.
A More Seamless Workflow for Filmmakers
This update is a game-changer for professionals working across Nikon and RED systems. Nikon users now benefit from RED’s advanced post-production pipeline, including superior color grading and dynamic range controls. Expanded ISO settings offer more creative possibilities, while ProRes encoding on Windows removes a longstanding workflow limitation.
The beta version of REDCINE-X Pro is available now. Download it for Mac here or for Windows here.
This latest development shows the potential evolution of Nikon and RED’s collaboration, leaving room for speculation on what’s next. Could Nikon cameras finally support internal R3D recording? Will RED introduce cameras with native Nikon mounts? Share your thoughts in the comments below!
