Photographers often have an insatiable desire for modern compact cameras. For many, this pursuit—frequently called G.A.S. (gear acquisition syndrome)—fuels an endless quest to find the perfect balance of innovation and usability. However, the recent resurgence of film photography has sparked a wave of excitement, with modern compact cameraslike the Pentax 17 and Mint’s reimagined Rollei 35 capturing the attention of both enthusiasts and professionals.
The New Releases in Film Photography
The Pentax 17 emerged as an exciting addition. When its photos first leaked, I dismissed them as fake. However, the official press release confirmed its reality, and the camera quickly made sense. The half-frame format aligns well with Instagram-friendly vertical compositions while extending a roll of film to 72 frames. Although Kodak had released the plastic Ektar half-frame camera two years earlier, the Pentax 17 represented the first truly innovative design in almost two decades. Despite its solid build and enjoyable use, it felt more like a starting point for a revived market. My reaction: “Call me in a year or two.”
Following the Pentax release, Mint introduced the reimagined Rollei 35AF. While its design mimics the original Rollei 35, the newer version features upgrades like a LiDAR autofocus and built-in flash. However, it also retains some quirks of the classic model, such as the left-hand winder, a 1/500 top shutter speed, and a challenging film-loading process. These choices raise questions about why Mint prioritized nostalgia over creating a fresh design tailored to modern users.
What’s Coming Next?
The success of the Pentax 17 and Rollei 35AF has paved the way for more releases in 2025. FilmNeverDie’s NANA camera—resembling a cross between a disposable and a Contax T2—has already started shipping to backers after a successful Kickstarter campaign. Another highly anticipated launch is the Jeff Bridges-backed WIDELUX•X, a meticulous recreation of the original panoramic Widelux camera. While this swing-lens model offers excitement, its large size and impracticality make it less ideal as an everyday carry.
What Should the Future Hold?
Among premium point-and-shoot film cameras, the original Ricoh GR remains my favorite. For decades, its compact design, reliability, and efficiency have earned praise from photographers like Kai Man Wong and Benj Heisch. Unfortunately, aging models now face issues with failing motors and LCD screens, and Ricoh stopped servicing them in 2014. If there were ever a perfect time to relaunch the GR, it would be now.
An interview with Pentax management, shared by Hashem McAdam of Pushing Film, sheds light on the brand’s philosophy. Pentax aims to create niche, counterculture products rather than competing directly with larger brands. This approach led to their half-frame initiative and the broader Pentax Film Project. Yet, it also suggests that reviving the Ricoh GR in its original form might not align with Pentax’s goals.
Still, the Ricoh GR’s enduring appeal lies not in its late-90s aesthetics but in its innovative spirit. Any attempt to recreate it must reflect the needs of today, much like the original GR did in 1996. The aim should be to deliver a camera that embodies elegance, durability, and modern innovation.
The Bright Future of Film Photography
Despite some critiques of current offerings, the future of film photography looks promising. The growing demand for new cameras demonstrates a broader revival of interest in film itself. This enthusiasm could encourage companies like Kodak and Fuji to expand their film stock lines or even reintroduce discontinued ones. In this digital era, film undeniably has its place, and the perfect new camera may just be around the corner.